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To fade individual audio files, see Visuallyfading and changing amplitude. (The topics below addressmultitrack clips.)

If multitrack clips have very different volume, makingmixing difficult, you can match their volumes. Because the MultitrackEditor is nondestructive, this adjustment is completely reversible.To instead permanently change the volume of source files, see Match volume across multiple files.

  1. Using the Move orTime Selection tool,Ctrl-click (Windows) or Command-click (Mac OS) to select multipleclips.

  2. From the pop-up menu, choose one of the following options:

    Matches an average amplitude you specify.

    Matches a perceived amplitude you specify, accounting formiddle frequencies that the ear is most sensitive to. This optionworks well unless frequency emphasis varies greatly (for example,midrange frequencies are pronounced in a short passage, but bassfrequencies are elsewhere).

    Matches a maximum amplitude you specify, normalizing the clips.Because this option retains dynamic range, it’s a good choice forclips you plan to process further, or for highly dynamic audio likeclassical music.

    Matches an overall root-mean-square amplitude you specify.For example, if the majority of two files is -50 dBFS, the totalRMS values would reflect that, even if one file contains more loudpassages.

On-clip fade and crossfadecontrols let you visually adjust fade curves and duration. Controlsfor fade ins and fade outs always appear in the upper-left and upper-rightcorners of clips. Controls for crossfades appear only when you overlapclips.


A. Drag controls in clip corners to fade in and out B. Overlapclips to crossfade
  1. In the upper-left or upper-right cornerof the clip, drag the fade icon inwardto determine fade length, and drag up or down to adjust the fade curve.

When you crossfade clips on the same track,you overlap them to determine the size of the transition region(the larger the overlapping area, the longer the transition).

  1. Place two clips on the same track, and move themso they overlap. (See Select and move clips.)
  2. At the top of the overlapping area, drag the left orright fadeicon up or down to adjust the fade curves.

To access the following fade options, selecta clip, and then either right-click a fade icon in the Editor panel,or choose Clip > Fade In or Fade Out.

Deletes the fade or crossfade.

If clips overlap, lets you choose the fade type.

Determines how the left and right fade curves interact whenyou drag them up and down. Symmetrical adjusts both fades identically,while asymetrical lets you adjust fades independently.

Applies either an even, linear fade or an S-shapedfade that starts slowly, then rapidly changes amplitude, and endsslowly.

Tip: To switch between Linear and Cosinemodes while dragging fade icons, hold down Ctrl (Windows) or Command(Mac OS).

Crossfades overlapping clips. Deselect this option if automaticcrossfades are undesirable or interfere with other tasks, such astrimming clips.

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Youcan combine the contents of multiple clips in the same time range,creating a single clip that you can quickly edit in either the Multitrackor Waveform Editor.

Creating single clip from multiple clips in Multitrack Editor

    • Select a specific time range. (See Selectranges in the Multitrack Editor.)

    • Select specific clips if bouncing to a new track.

    • Select nothing to mix down an entire session.

  1. To combine the contents of the original clips, do eitherof the following:
    • To create a track and clip in the MultitrackEditor, choose Multitrack > Bounce To New Track.

    • To create a file in the Waveform Editor, chooseMultitrack > Mixdown To New File.

Note:

To mixdown an entire session, see Export multitrack mixdown files.

If you want to edit audio from a busor master track, create a clip from the track.

  1. In the Editor panel, select a time range for thenew clip. (See Selectranges in the Multitrack Editor.)
  2. In the timeline, right-click a bus or master track, chooseBounce [track type] To New Track.

Adobe Audition creates a new track with a clip that reflectsthe bus or master mix.

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Learn what's new in the latest release of Adobe Audition.

Note:

The August release (version 12.1.3), July release (version 12.1.2), and June release (version 12.1.1) for Audition provides stability and performance improvements.

Edit Clip In Adobe Audition Greyed Out

Top new features

April 2019 release (version 12.1)

Punch a recording from a specific point in the clip.

Quickly zoom to the time range of one or more selected clips.

Adobe audition 1.5

Edit time value and parameter value for a particular keyframe.

You can now auto duck ambience sound for a more seamless editing experience.

Use this feature to move a selected clips up and down a track.

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